Host Sarah Marshall and historian Sarah Archer explore how Santa Claus and American Christmas traditions evolved from the 19th century through the Cold War, focusing on consumerism, design, and media. They trace Santa from a tiny artisan figure in Victorian illustrations to a postwar, space-age and domesticated icon wrapped in department stores, aluminum trees, and televised specials like Miracle on 34th Street, A Charlie Brown Christmas, and How the Grinch Stole Christmas. Throughout, they examine how Christmas has always been bound up with retail, nostalgia, gender roles, and changing ideas about patriotism and the future.
The hosts trace the history and cultural impact of AM radio, from its early 20th-century technical breakthroughs and global spread through its "golden age" of dramas, soap operas, news, and political addresses. They explain how AM evolved into a youth-oriented Top 40 music medium and later the mellow 1970s "AM gold" era, while also covering regulatory milestones like the Fairness Doctrine and the rise of talk radio after its repeal. The episode concludes with a focus on AM radio's continuing importance for emergency alerts, its technical characteristics, and current debates over carmakers dropping AM receivers, particularly in electric vehicles.
The hosts explore the history and cultural impact of Pop-Tarts, tracing their origins from the Kellogg brothers' Battle Creek Sanitarium through the cereal wars between Kellogg's and Post to the invention of the toaster pastry. They detail how Pop-Tarts were rapidly developed in response to a competitor's idea, how the product evolved in flavor, form, and marketing, and how it became an iconic but nutritionally dubious, ultra-processed food. The episode also covers fire hazards, lawsuits, international ingredient differences, and the nostalgic pull Pop-Tarts still have for adults.
Sean Hayes joins Jenny Slate, Gabe Liedman, and Max Silvestri for a loose, comedic conversation about their early experiences making jokes, physical comedy bits, and nostalgia for old commercials and landlines. They discuss Jenny's discomfort with the White House using her Parks and Rec character in a political meme, how to handle online nastiness without engaging, and the challenges of keeping long-term friendships strong while turning them into a professional podcast. The group also fields an etiquette question about nose-picking in public, swaps stories about sleep struggles, ADHD, and old-school phone and internet habits, and ends by reflecting on Sean's "Olympic level" comedy on Will & Grace.
Host Sarah Marshall introduces her mini-series "The Devil You Know," exploring the 1980s satanic panic through individual stories and sociological context. This first episode focuses on "Diane," a pseudonymous photographer who became the target of satanism rumors while teaching photography in rural Kentucky, and on how a Hollywood film shoot involving black dresses in Hazard, Kentucky was misread as evidence of devil worship. With commentary from sociologist Mary de Young and local resident Patrick Balch, the episode shows how small, unusual events were amplified by anxiety, rumor, and self-appointed experts into a nationwide moral panic.
Josh and Chuck trace the history of VH1 as the mellower, adult contemporary counterpart to MTV, from its 1985 launch through multiple reinventions. They cover the channel's early focus on older artists, its successful 1990s rebrand with shows like Pop-Up Video, Storytellers, and Behind the Music, and its later pivot into pop culture countdowns and reality TV. The episode also examines VH1's role in Black-focused programming, the ethical controversies around shows like Celebrity Rehab, the Jasmine Fiore murder scandal, and VH1's current identity anchored in reality franchises and reruns.
The hosts revisit the history and cultural impact of the educational cartoon series Schoolhouse Rock, tracing its origins in a 1970s advertising agency, the role of jazz musician Bob Dorough, and the evolution of its themed seasons on math, grammar, civics, and science. They discuss standout songs, how the show balanced sophisticated music with kid-friendly concepts, its decline with the computer-focused Scooter Computer and Mr. Chips segments, and its 1990s revival and later stage and media adaptations, including tributes and critiques of its simplified historical narratives. In an added interview, Pavement's Bob Nastanovich describes how the band came to record a highly personalized version of "No More Kings" for the 1990s tribute album, and the episode closes with a listener letter about grief, nostalgia, and family memories tied to the show.
Josh and Chuck take a nostalgic and critical look at the era of Saturday morning cartoons, tracing how they emerged, peaked, and eventually disappeared from broadcast television. They discuss the programming's cultural role for kids, the heavy commercialization and sugary-food advertising attached to it, and the regulatory battles over violence and marketing to children. The episode also covers the impact of deregulation, the rise of cable and gaming, and how these shifts ended the Saturday morning ritual while leaving a strong shared cultural legacy.
Hosts Josh and Chuck pay tribute to Gary Larson's single-panel comic The Far Side, tracing its origins from Larson's quirky family and love of biology through his break into syndication and eventual global success. They analyze what makes the humor work, walk through several iconic panels, and explore Larson's perfectionism, his choice to end the strip before it declined, and his deep connection with the scientific community and conservation. The episode closes with a listener correction about the relationship between dolphins, orcas, and whales.