Planet Money hands the episode over to Vox's Today Explained to examine how Taylor Swift and other pop stars use album variants and sales strategies to game music charts and monetize superfans. Music reporter Elias Light explains the mechanics and incentives behind physical and digital variants, while critic Ann Powers unpacks the backlash to Swift's latest album, fans' discomfort with her extreme wealth, and how she uses her music to control her public narrative. The episode situates Swift within broader industry practices and compares her autobiographical approach to Beyoncé's more representative storytelling.
The hosts talk with media executive Tom Freston about his unconventional path from advertising into years of travel across North Africa and Asia, building a clothing business in India and Afghanistan, and eventually helping launch MTV and other major cable brands. Freston recounts the creation and impact of MTV, the birth of Comedy Central, his tumultuous years leading Viacom under Sumner Redstone, early views on platforms like YouTube and MySpace, and his later work in philanthropy and Afghan media. The conversation also explores his philosophy on travel, risk-taking, and using media for social change, plus colorful anecdotes involving Jimmy Buffett, Bangkok sex clubs, and a desert music festival near Timbuktu.
Josh and Chuck trace the history of VH1 as the mellower, adult contemporary counterpart to MTV, from its 1985 launch through multiple reinventions. They cover the channel's early focus on older artists, its successful 1990s rebrand with shows like Pop-Up Video, Storytellers, and Behind the Music, and its later pivot into pop culture countdowns and reality TV. The episode also examines VH1's role in Black-focused programming, the ethical controversies around shows like Celebrity Rehab, the Jasmine Fiore murder scandal, and VH1's current identity anchored in reality franchises and reruns.
Lionel Richie discusses his new memoir, using the writing process to look back at a life and career he usually only approaches with a "race car driver" focus on the road ahead. He reflects on surviving the brutal music industry, his formative years with the Commodores and Motown, mentorship from legends like Marvin Gaye and Berry Gordy, and how he gradually discovered his own creative voice and unique sound. Richie also talks about navigating extreme fame, the impact of organized crime and corporate consolidation on the music business, the tension between creatives and executives, and the importance of humor, resilience, and authenticity in both art and life.
Joe Rogan and Ian Edwards reflect on three decades in stand-up comedy, from New York and Boston club days to the current Austin and Kill Tony scene, breaking down how comics develop, sustain, or lose their edge. They also dive into boxing and MMA, brain damage and fighter longevity, historical boxing greats like Muhammad Ali, and broader issues of war, government deception, corporate greed, social media control, and how individuals can maintain independence and purpose in a corrupt system.
The hosts open with light banter about family, college move‑ins, and an infamous incident where Jason was photographed skipping an iPhone line before welcoming music legend Lionel Richie. Lionel shares stories from his upbringing in Tuskegee, Alabama, his early days with the Commodores, and how his nickname "Skeet" and lifelong friendships shaped his character. He dives into his intuitive songwriting process, the backstories of hits like "Hello," "Truly," and "Lady," the creation of "We Are the World," and reflects on kindness, gratitude, and surviving decades in the music business with his positivity intact.