"Benedict Cumberbatch"
Will Arnett, Jason Bateman, and Sean Hayes talk with Benedict Cumberbatch about fatherhood, his upbringing as the only child of two working actors, and how that shaped his path into acting. They cover his experiences at British boarding schools, a formative gap year teaching in a Tibetan community near Darjeeling, and his early TV and film work, before diving into his approach to roles, working with major directors and actors, and navigating fan expectations around iconic characters. Benedict also discusses learning to surf in his 40s, dealing with a serious shoulder injury, and his producing work on a new film adaptation of Max Porter's grief-focused novella "Grief is the Thing with Feathers," as well as his long-gestating adaptation of the novel "Rogue Male."
Wicked's costume designer on how to tell stories with clothes | Paul Tazewell
Host Elise Hu introduces Oscar-winning costume designer Paul Tazewell, who explains how clothing functions as a subconscious storytelling language that shapes our perceptions of heroes, villains, and marginalized people. Drawing on his work in Hamilton, West Side Story, and Wicked, he shows how design choices around color, silhouette, and texture can reinforce or challenge cultural narratives about power, identity, and "wickedness." A brief Q&A touches on how costumes will continue to evolve in the sequel Wicked for Good and hints at his future work on Broadway and film.
#831: Frank Miller, Comic Book Legend - Creative Process, The Dark Knight Returns, Sin City, 300, and Much More
Tim Ferriss interviews legendary comics creator Frank Miller about his life, creative process, and the evolution of his work from Daredevil and Elektra to Ronin, Sin City, and The Dark Knight Returns. Miller discusses technical aspects of drawing and storytelling, his influences from European and Japanese comics, and his collaborations with figures like Neil Adams, Alan Moore, and Robert Rodriguez. He also reflects on professional failure, Hollywood adaptations, alcoholism and sobriety, and offers advice to aspiring cartoonists and storytellers.
"Edgar Wright"
The hosts talk with filmmaker Edgar Wright about his lifelong obsession with movies, from sneaking into age-restricted screenings as a kid and making Super 8 and video projects, to creating the TV series "Spaced" and the films in the so‑called Cornetto trilogy. Wright discusses his visual and musical style, his early DIY feature "A Fistful of Fingers," long‑time collaborations with Simon Pegg and Nick Frost, and the development of "Baby Driver." He also breaks down his new adaptation of Stephen King's "The Running Man," his writing process, formative British comedy influences, and his core philosophy of making the films he himself would want to see.
The Mystery of the Sleepy Sickness
The hosts explore encephalitis lethargica, also known as the sleepy sickness, a mysterious early 20th-century epidemic that caused profound sleep disturbances, movement disorders, psychiatric changes, and often death. They explain von Economo's classification of acute and chronic forms, the later emergence of post-encephalitic parkinsonism, and how Oliver Sacks's work with L-DOPA inspired the book and film 'Awakenings.' The episode reviews competing theories about the disease's cause and transmission, modern autoimmune hypotheses, and the haunting experience of patients who were conscious yet immobile for decades.
SYSK's Fall True Crime Playlist: The Chowchilla Bus Kidnapping
Hosts Josh Clark and Charles W. "Chuck" Bryant recount the 1976 Chowchilla school bus kidnapping, in which 26 children and their bus driver Ed Ray were hijacked, transported, and buried alive in a moving van trailer as part of a bungled ransom plot. They detail the conditions inside the buried trailer, the escape led largely by 14-year-old Mike Marshall with crucial help from Ray, and the frantic search and relief in the town of Chowchilla. The episode also examines the wealthy but inept perpetrators, the planning and failures of the crime, the legal aftermath and parole debates, the long-term trauma experienced by the victims, and closes with a listener email about structural reasons behind racial disparities in traffic ticketing.