Filmmaker Paul Thomas Anderson joins the hosts to talk about his upbringing as the son of a legendary ABC promo voice, his early obsession with movies, and how he learned to write and direct by making a short mockumentary about Dirk Diggler that later evolved into Boogie Nights. He discusses his collaborative process with production designer Jack Fisk and composer Jonny Greenwood, his views on theatrical exhibition versus streaming, and his work in film preservation alongside Martin Scorsese. The conversation also covers his love of comedy, how he met Maya Rudolph at Saturday Night Live, what he saw in Adam Sandler, and how he balances a demanding career with being a father of four.
The hosts explore how sound effects are created for films and TV, focusing on the craft of Foley artists and the history of sound design from silent movies to modern blockbusters. They discuss Jack Foley's pioneering work, the tools and techniques used on Foley stages, iconic examples from films like Star Wars, Jurassic Park, Titanic, and Fight Club, and the heavy use of constructed audio in nature documentaries. The episode also touches on how sound departments are undervalued relative to their impact and ends with a correction about Teen Vogue's reputation for serious journalism.